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Town Hall Galleries Cornhill, Ipswich IP1 1DH 01473 432863 |
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This exhibition is more about the viewer than the viewed. Pride is a festival of gay and lesbian culture, while the Mela celebrates all things Indian. Mike Harding and Trevor Smeaton set up a photographic studio at both these events in 2009, inviting the revellers to have their portrait taken. The exhibition includes a selection of the images made at the two summer events. The result is a cross-section of the people, their families and their fashions, which constitute just two small slices of our diverse community. The set of portraits are both simple, and complex. At one level they are a straightforward series of representations of the people who have attended the festivals, and who represent the two sub-sections of our culture. But there is a more complex interpretation of the images. These portraits reflect the ambivalence with which we regard ourselves and each other. It is not always possible to tell at which event the subject was photographed. Some subjects carry clear signifiers of their cultural group. Others are less clearly badged, and some of the subjects are from the broader community who came to the events because they were simply fun places to be. Despite the ambivalence of the images, the viewer may not resist the temptation to assign individuals to one or the other cultural group. How are such categorisations made? Are they accurate, and relevant to understanding individuals? Are they valid, and reasonable? We all use assumptions about people in our daily lives, based on visual cues taken from a subject’s physical appearance, clothes or behaviour. Usually, we use a compilation of all of these factors. How such visual cues are interpreted and the subject categorised may depend more on the prejudices and assumptions of the viewer than on the true nature of the subject. |
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